We sat down to paint on the back stoop of an old but beautiful building, surrounded by a cobblestone street, and spent over two hours trying to create what we'd been experiencing. Below you can see my interpretation that day of the photo above.
The work in progress here shows the point when I didn't like how the painting was going. It looked too 'coloring bookish,' so I took a one inch brush and washed water over the whole thing. Of course, the darker areas bled a little but the overall effect helped soften and tie the painting together better. I threw some table salt on and let it dry.
At that point, I was thinking the picture was a lost cause even though the day was wonderful. I put it aside. However, that night, pen and ink worked its magic on the painting and really helped it along.
I plan to paint this scene again, spending more time on the drawing and composition and focus on the things that made me want to paint it in the first place. While we were in Italy, I painted many days, completing about a dozen small paintings. But once we got to Venice, all painting ceased as I immersed myself in the incredible beauty there. I have enough photos to paint from for a couple of lifetimes and memories to last forever.
"LAURA'S GIFT" Transparent Watercolor on 140#CP Arches, 12 x 9" COLLECTED